I went to the opening of Fringe Arts Bath last night (masses of work to see across the city) where my ‘portable place portrait’ – Sticks, signs and leaves was included in a show called Out of the Box, put together by the charming Tom Buchanan and Amy Douglas. Continue reading
Playing with the idea of place portraits – I’ve returned (thanks to stimulus from friends) to an almost abandoned book project in the new year, now (with great sense of satisfaction) completed. It’s a miniature version of the book/artwork you can see here. I like the idea of having something you can carry around in your pocket that could be reminder of Continue reading
Another facet of the continuing Woods project (see two previous related posts here and here): a book created as part of an MA in Fine Art / Photography at the University of Plymouth, completed in September 2007. The notes below provide some context – the title of the project is a multi-layered play on words, explained in the report produced for the MA – you can contact me if you want to know more! Continue reading
Out of the Wired Woods research project with HP Labs came a further expansion of The Woods project when a few of the images, at reduced scale and in rollable format were taken to a wearable computing conference in Seattle in 2003. Here the relatively new wireless technology developed during the Wired Woods project was demonstrated to useful effect; I didn’t see the installation in Seattle but above is the model I made to show how the layout could be and below is a photo I was sent of what it actually looked like in situ… Continue reading
In 2002 the Woods project began one of several stages of evolution when part of the original exhibition provided the basis for a collaborative research project with HP Labs in Bristol. This was to explore how computer technologies could be applied to deliver different, and augmented forms of experience for users that could be applied within, for example, museum settings.
I was invited to work with the team at HP labs along with musician Armin Elsaesser to Continue reading
This is the largest project I’ve ever done and one that still has a life. There’ll be further posts on other aspects of this project and on recent developments, but this is a record of the process that began with a commitment, to myself, to photograph a particular woodland that hugs the banks of 2 streams near my home, over the course of a year, from 1st January 1999, but eventually included 1st January 2000, hence the title.