Bristol Mayor Watch – citizen journalism project

Bristol Mayor Watch citizen journalism team reporting on one of the Mayoral Hustings in Bristol

The most recent manifestation of the Watershed citizen journalism strand (and the final one under the RELAYS project – my 4 year contract with Watershed on this project is unfortunately nearly over) has been ‘News from Elsewhere’ – a workshop programme focused on covering Bristol’s Mayoral election in conjunction with Ujima Radio and with support from Bristol University. David Goldblatt – the man responsible for initiating this strand of Continue reading

‘World of Small’ with Local Journeys

I helped out on another Local Journeys project recently, a workshop project called ‘World of Small’, with Crockerne Pill Junior school.

Items collected by children near a pond and photographed with digital microscope

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iDocs 2012

HP-labs-wired-woods

iDocs ‘the interactive documentary genre’ is a topic I’ve been keeping an eye on for a while, in part because some of the people involved are previous colleagues but also from the little I knew of it I suspect it’s something I might have been doing myself for a long time – or at least I’ve strayed into the margins. After unavoidably missing iDocs events over the last year or so I finally caught up with a session at the recent Encounters  Festival.

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Film Journalism workshop at Encounters Film Festival

Since the success of the Media Camp in Weymouth this summer (which had developed from the citizen journalism workshops I’ve been producing with Watershed since March 2011) I was invited to be part of the two-person team running a Film Journalism workshop that took place at Watershed in late September as part of the Encounters International Short Film Festival. Young filmmakers, a photographer and aspiring writers applied for a place on this experimental project, the nine successful candidates winning a full pass to the festival and support from the Encounters team allowing them access to top directors, producers and cinematographers working in the short-film field in every genre – documentary, animation, comedy, fantasy… Continue reading

Brilliant Olympic outing dissolved the skepticism

I spent five packed days in Weymouth over the opening of the Olympics with a group of Bristol students who were there for a media camp I’d organised with Weymouth College and the b-side project as part of my Watershed work. The students were using citizen journalism techniques to report on the impact the Olympic Games was having on this small seaside town, using smartphones to post images, text, videos and audio interviews live to a blog. Continue reading

Misattributions

It’s usually gratifying to see your work in print, and displayed large in a popular cultural venue – but not when it gets credited to someone else!

I was alerted to the fact that one of my photographs, taken in Pill Community Orchard of a touring production of the delightful ‘I Peaseblossom, I Caliban’ was in the Bristol Old Vic’s brochure and on the wall of their upstairs seating area along Continue reading

It’s Watershed’s 30th birthday…

… and after looking at the photographs of 30 years-worth of Watershed’s monthly programme covers on Facebook I realised that I’ve had connections with this Bristol cultural landmark for 25 years of those three decades. These programmes seemed a good vehicle for reflecting on the journey we’ve been on together and the role we’ve played in each others’ lives. Continue reading

Photographs not taken

In a new book of interviews by photographer Will Steacy called ‘Photographs Not Taken‘  photographers  describe moments of potential photographs they’ve missed – either accidentally or more often as a result of an ethical decision.

Curiously related is the Descriptive Camera “Take a picture. The picture is sent to Amazon’s Mechanical Turk outsourcing service. A human writes up a quick description and sends it back. The camera prints it out using a tiny thermal printer.” Who is the human in this odd equation? How do they get recruited? Where are they located? Are they photographers themselves? How many different versions of one image could you get by sending the same photo several times? Might this process be used to circumvent ethical considerations of visual representation? Maybe more interesting to debate than the actual outcome.

And, last item on photography items that have caught my attention recently (not getting drawn into Instagram chat!) – a flatpack cardboard digital camera from IKEA – yet to be released.

 

Photo mags

Many years ago I was marginally involved with the South West Independent Photographers Association, SWIPA, who produced for a while, a monthly magazine called Light Reading. Photography in the early 90s was still having an identity crisis (ongoing since the 1830s), striving to be recognised as an art form, especially in relation to funding; it really wanted to be taken seriously and SWIPA was on a commendable mission to reinforce this status.

I came across a copy amongst my archive of photo stuff recently – a copy I’d kept as I’d written an article about a project the Bristol Women’s Photography Group were doing at the time, and I remember being pleased to read the magazine each issue, and to be part of the photographic scene in Bristol (also being a volunteer on Watershed’s long defunct photography advisory board, and even a South West Arts advisor at some point) but in retrospect, and especially in the light of the current publication mentioned below, Light Reading has an air of self-conscious intellectualism about it that belies its title – and it cost £1.50 even in 1994!

So, it’s great to find that paper-based photography mags are alive and well in the face of ‘the death of printing’ (see Guardian article about the exaggeration of this rumour). Not only good to find photographic publications out on the streets, free, but even better to find one that’s born in Bristol, but with an appetite for the International – Vignette. They produce a quarterly A3 size newspaper with a theme in each issue that incorporates a wide range of photographic styles, all nicely complemented by their website. They’re taking it seriously, but they don’t get too serious – good work team!